Saiba a diferença entre o Present Continuous, o Past Continuous e o Present Perfect Continuous. Estude Inglês para o Exame Nacional do Ensino Médio com o Curso Enem Gratuito!
No Inglês possuímos três modos diferentes de expressar ações em progresso. Ou seja, existem três maneiras de expressar uma ação que está acontecendo, são elas: present continuous, past continuous e present perfect continuous.
Vamos revisá-las?
Ações em progresso no Inglês
Muitos estudantes se confundem na hora de expressar ações em progresso no Inglês. Isto é, não sabem diferenciar os tempos verbais do present continuous, past continuous e present perfect continuous. Vamos agora explicar cada um deles.
Present continuous
O Present Continuous engloba as ações em progresso no momento em que o interlocutor está falando. Por exemplo:
Afirmativa:
He is watching TV now.
(Ele está assistindo a TV agora.)
Na forma afirmativa, a construção do present continuous é sempre composta na seguinte ordem: sujeito + verbo to be + verbo principal com ING (gerúndio).
Negativa:
He isn’t watching TV at the moment.
(Ele não está assistindo a TV nesse momento.)
No caso da forma negativa, a partícula negativa é posicionada após o verbo to be.
Não esqueça: “Isn’t” é a contração de “is not” (mais utilizada para indicar ênfase).
Interrogativa:
Is he watching TV right now?
(Ele está assistindo a TV agora mesmo?)
Para a forma interrogativa do present continuous, o verbo to be sempre inicia a pergunta.
Se você não se lembra do verbo to be no presente, reveja com os exemplos abaixo:
I – am. (eu sou / estou)
He, She, It – is. (ele, ela, isso é / está)
You, We, They – are. (você(s), nós, eles(as) são / estão.)
Outras regras para o verbo + ING
Verbos terminados em consoante + “e”:
He is taking the girl home.
(Ele está levando a menina para casa.)
Take >> Taking.
Substituir “e” por “ing”.
Exceções: to die (morrer) > dying / to lie (mentir) > lying.
Verbos terminados em consoante + vogal + consoante:
He is swimming right now
(Ele está nadando agora mesmo.)
Swim >> Swimming.
Dobrar a última consoante e acrescentar “ing”.
Exceções:
– Verbos terminados em “w” ou “x”, como to fix (consertar) > fixing.
– Verbos que possuem a primeira sílaba tônica (com som mais forte): to open (abrir) > opening, / to happen (acontecer) > happening.
Resumo do present continuous
Veja mais sobre o Present Continuous com o prof. Guilherme na videoaula do nosso canal:
Past continuous
O Past Continuous engloba as ações em progresso no passado que foram encerradas. Geralmente, elas são interrompidas por outra ação também no passado. Por exemplo:
Afirmativa:
I was taking a shower when you called.
(Eu estava tomando banho quando você ligou.)
Na forma afirmativa do past continuous, a ordem é sempre sujeito + verbo to be + verbo principal com ING (gerúndio).
Negativa:
I wasn’t taking a shower when you called.
(Eu não estava tomando banho quando você ligou.)
Para compor a forma negativa do past continuous, a partícula negativa é posicionada após o verbo to be.
Lembre-se: “Wasn’t” é a contração de “was not” (mais utilizada para indicar ênfase).
Interrogativa:
Were you taking a shower when I called?
(Você estava tomando banho quando eu liguei?)
Já para formar a forma interrogativa, o verbo to be sempre inicia a pergunta.
Caso você não se lembre do verbo to be passado, veja os exemplos para te ajudar a construir as frases:
I, He, She, It – was. (ele, ela, isso era / estava)
You, We, They – were. (você(s), nós, eles(as) eram / estavam.)
Resumo sobre o past continuous
Veja mais exemplos sobre o Past Continuous nesta videoaula:
Present perfect continuous:
O Present Perfect pode indicar uma ação encerrada num passado indeterminado ou uma ação que começou no passado e continua no presente. Quando utilizamos o Present Perfect Continuous, queremos enfatizar que se trata do segundo caso.
Afirmativa:
I have been taking English Classes.
(Eu tenho tido aulas de inglês.)
She has been taking English Classes.
(Ela tem tido aulas de inglês.)
Para compor uma frase utilizando o presente perfect, a ordem de construção é sempre sujeito + have + been + verbo principal com ING (gerúndio).
Atenção! No caso de He, She, It; utilizamos “has” em vez de “have”.
Negativa:
I haven’t been taking English Classes.
(Eu não tenho tido aulas de inglês.)
She hasn’t been taking English Classes.
(Ela não tem tido aulas de inglês.)
Para esta forma, a partícula negativa é posicionada após “have” ou “has”.
Não esqueça:
“Haven’t” é a contração de “have not” (mais utilizada para indicar ênfase).
“Hasn’t” é a contração de “has not” (também mais utilizada para indicar ênfase).
E, no caso de He, She, It; utilizamos “has” em vez de “have”.
Interrogativa:
Have you been taking English Classes?
(Você tem tido aulas de inglês?)
Has she been taking English Classes?
(Ela tem tido aulas de inglês?)
Já na forma interrogativa, “Have” ou “has” sempre iniciam a perguntam.
No caso de He, She, It; utilizamos “has” em vez de “have”.
Resumo sobre o present perfect continuous
Para finalizar sua revisão, veja estas videoaula sobre o Present Perfect Continuous:
Exercícios sobre as ações em progresso no Inglês
Para praticar, tente fazer esses exercícios:
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Pergunta 1 de 10
1. Pergunta
(UniCESUMAR PR/2018)
Yikes: Your Blood Type Might Put You at Risk for These Diseases
Here’s what you should do about it.
BY MERRITT WATTS March 18, 2016
Do you know your blood type? Whether you’re A, B, AB, or O — it’s time to learn (your M.D. or parents should have the info handy). Recent studies show certain blood types may be linked to illnesses such as heart disease and cancer. Scientists are still unraveling exactly why, but in the meantime, here’s what you should know.
Taking into account the excerpt “Scientists are still unraveling exactly why”, mark what is TRUE concerning its structure.
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Pergunta 2 de 10
2. Pergunta
(IFGO/2015)
Ebola crisis
West Africa is experiencing the biggest outbreak of the Ebola virus ever known, causing thousands of deaths, devastating fragile healthcare systems and damaging the economies of countries, some of which are still recovering from civil war. Infections are thought to be doubling every few weeks. The World Health Organization (WHO) says there were 13,700 officially registered cases by the end of October, almost all in Sierra Leone, Liberia and Guinea, with about 5,000 deaths, but many go unrecorded and the true figure is thought to be two to three times higher. The US Centre for Disease Control (CDC) says that if nothing changes there could be 1.4 million cases by late January.
The WHO has been criticized for not reacting fast enough to the outbreak: it took three months to diagnose the first cases, and five months more before a public health emergency was declared. The exceptional spread of the disease was probably down to a number of factors including dysfunctional health systems, high population mobility across state borders, densely populated capitals and lack of trust in authorities after years of armed conflict meaning health advice is not heeded. Fear is also a factor. People are afraid to go to hospital because they think it may be the source of infection.
Healthcare in the region was fragile before Ebola. Now there is disintegration as staff become ill or stay away for fear of the disease. Infection control and hygiene are major issues. Soap and water are unavailable in some areas. Alcohol hand rubs are needed on a large scale. Isolation facilities are vital to contain Ebola, as are labs for testing because rapid diagnosis is very important. Both are in very short supply. In some places, isolation is nothing more than an area behind a curtain. People with other diseases and women in childbirth are at risk because hospitals are no longer functioning properly.
The Guardian, Oct. 31, 2014. Available on: <http://www.
theguardian.com/world/2014/sep/25/-sp-ebola-crisisbriefing>.
Access on: Nov. 25, 2014. [Adapted]About the first sentence of the text, it is correct to affirm that
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Pergunta 3 de 10
3. Pergunta
(UECE CE/2015)
In the sentence “Parents were literally putting their hands over the kids’ hands and saying (…)” the tense of the verbs PUT and SAY is
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Pergunta 4 de 10
4. Pergunta
(UESPI/2014)
THE LOCH NESS MONSTER – BEHIND THE MYTH
A VERY OLD STORY
The first written story of the monster is in a text written in the year 565 AD by a Celtic biographer: this writer describes how a man was attacked by a monster while he was swimming in the river Ness. Perhaps the legend already existed in those days: it has certainly existed for many centuries in Scottish folklore.
However, the story of the monster was not very well-known in England for one simple reason: Loch Ness is a very long way from the rest of Britain. Until the age of the railway, very few people ever went to the Highlands of Scotland….except soldiers or officials from the cities of the Scottish Lowlands. No-one else had any reason to go there: the North of Scotland was wild and desolate, wet and generally cold, and inhabited more by sheep than by people.
The myth became big news in 1930; three men, out in a boat on the lake, said that they had seen a monster. Immediately, several other people said that they had seen one too. In 1933, a man took the first “photo” of the monster, from a distance of about 100 metres. The photo was not clear, but Kodak said that the photo was real. The most famous photo of all was taken in 1934 by a London surgeon; it seems to show a long neck and a small head sticking up out of the water. “Nessie” – if the photo is real – looks something like a dinosaur.
A lot of other photos have been taken since then, but none of them have been clear. Obviously, if there is a monster, it is a timid one! It doesn’t often come to the surface, and it never does so near the shore on a sunny afternoon in summer!
If it had done so, lots of people would have taken photos of it, and there would be no more mystery. Until now it has tried to avoid publicity…. if it exists!
In 1987, some people used sonar equipment to try to discover Nessie…. but they found…. nothing. So no-one has proved that the Loch Ness monster exists; but no-one has proved that it does not exist. It’s a great story.
Fonte: http://linguapress.com/intermediate/loch-ness-monster.htm acessado em 04/09/2014
Na frase “this writer describes how a man was attacked by a monster while he was swimming in the river Ness” o tempo verbal da construção sublinhada foi usado para
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Pergunta 5 de 10
5. Pergunta
(UECE CE/2011)
1Prof. Katherine Rowe‘s blue-haired 2avatar was flying across a grassy landscape 3to a virtual three-dimensional re-creation of 4the Globe Theater, where some students 5from her introductory Shakespeare class at 6Bryn Mawr College had already gathered 7online. Their assignment was to create 8characters on the Web site Theatron3 and 9use them to block scenes from the gory 10revenge tragedy “Titus Andronicus,” to see 11how setting can heighten the drama. “I‘ve 12done this class before in a theater and a 13lecture hall, but it doesn‘t work as well,” Ms. 14Rowe said, explaining that it was difficult 15for students to imagine what it would be like 16to put on a production in the 16th-century 17Globe, a circular open-air theater without 18electric lights, microphones and a curtain.
19Jennifer Cook, a senior, used her laptop 20to move a black-clad avatar center stage. 21She and the other half-dozen students 22agreed that in “Titus,” the rape, murders and 23final banquet — when the Queen 24unknowingly eats the remains of her two 25children — should all take place in the same 26spot. “Every time someone is in that space,” 27Ms. Cook said, “the audience is going to say, 28‘Uh oh, you don‘t want to be there.’ ”
29Students like Ms. Cook are among the 30first generation of undergraduates at dozens 31of colleges to take humanities courses — 32even Shakespeare — that are deeply 33influenced by a new array of powerful digital 34tools and vast online archives. Ms. Rowe‘s 35students, who have occasionally met with 36her on the virtual Globe stage while wearing 37pajamas in their dorm rooms, are 38enthusiastic about the technology.
39At the University of Virginia, history 40undergraduates have produced a digital 41visualization of the college‘s first library 42collection, allowing them to consider what 43the selection of books says about how 44knowledge was classified in the early 18th 45century. At Hamilton College, students can 46explore a virtual re-creation of the South 47African township of Soweto during the 1976 48student uprisings, or sign up for “e-black 49studies” to examine how cyberspace reflects 50and shapes the portrayal of minorities.
51Many teachers and administrators are 52only beginning to figure out the contours of 53this emerging field of digital humanities, and 54how it should be taught. In the classroom, 55however, digitally savvy undergraduates are 56not just ready to adapt to the tools but also 57to explore how new media may alter the very 58process of reading, interpretation and 59analysis. “There’s a very exciting generation 60gap in the classroom,” said Ms. Rowe, who 61developed the digital components of her 62Shakespeare course with a graduate student 63who now works at Google. “Students are 64fluent in new media, and the faculty bring 65sophisticated knowledge of a subject. It‘s a 66gap that won‘t last more than a decade. In 6710 years these students will be my 68colleagues, but now it presents unusual 69learning opportunities.” As Ms. Cook said, 70“The Internet is less foreign to me than a 71Shakespeare play written 500 years ago.”
72Bryn Mawr‘s unusually close partnership 73with Haverford College and Swarthmore 74College has enabled the three institutions to 75pool their resources, students and faculty. In 76November students from all three 77participated in the first Digital Humanities 78Conference for Undergraduates.
79Jen Rajchel, one of the conference 80organizers, is the first undergraduate at Bryn 81Mawr to have a digital senior thesis accepted 82by the English department: a Web site and 83archive on the American poet Marianne 84Moore, who attended the college nearly a 85century ago. Presenting a Moore poem on 86the Web site while simultaneously displaying 87commentary in different windows next to the 88text (as opposed to listing them in a paper) 89more accurately reflects the work‘s multiple 90meanings, according to Ms. Rajchel. After all, 91she argued in the thesis, Moore was acutely 92aware of her audience and made subtle 93alterations in her poems for different 94publications — changes that are more easily 95illustrated by displaying the various versions. 96The Web presentation of Moore’s poetry also 97allows readers to add comments and talk to 98one another, which Ms. Rajchel believes 99matches the poet‘s interest in opening a 100dialogue with her readers.
101Particularly inspiring to Ms. Rajchel is 102that her work doesn‘t disappear after being 103deposited in a professor’s in box. The site, 104which includes scans of original documents 105from Bryn Mawr’s library, was (and remains) 106viewable. “It really can go outside of the 107classroom,” she said, adding that an 108established Marianne Moore scholar at 109another university had left a comment.
110Doing research that lives outside the 111classroom is also what drew Anna Levine, a 112junior at Swarthmore, to digital humanities. 113Over the summer and after class, she and 114Richard Li, a senior at Swarthmore, worked 115with Rachel Buurma, an assistant professor 116of literature there, to develop the Early 117Novels Database for the University of 118Pennsylvania‘s Rare Book and Manuscript 119Library, which enables users to search more 120thoroughly through fiction published between 1211660 and 1830. “I am the one doing all the 122grunt work,” Ms. Levine said of her tasks, 123which largely involve entering details about a 124novel into the database. “But one of the 125great things is as an undergraduate, it really 126enables me to participate in a scholarly 127community.”
128In a Swarthmore lounge where Ms. 129Buurma‘s weekly research seminar on 130Victorian literature and culture meets, Ms. 131Levine and a handful of other students 132recently settled into a cozy circle on stuffed 133chairs and couches. As part of their class 134work, they have been helping to correct the 135transcribed online versions of Household 136Words and All the Year Round, two 19th- 137century periodicals in which Charles Dickens 138initially published some novels, including 139“Great Expectations,” in serial form. On a 140square coffee table sat a short stack of 141original issues of the magazine that a 142librarian had brought from the college‘s 143collection to show the class. Students 144discussed how the experience of reading 145differs, depending on whether the text is 146presented in discrete segments, surrounded 147by advertisements or in a leather binding; 148whether you are working in an archive, 149editing online or reading for pleasure.
Source: http://www.nytimes.com/March 21, 2011.
In terms of tense, the sentences “Katherine Rowe’s blue-haired avatar was flying across a grassy landscape”, “Some students had already gathered online.” and “On a square coffee table sat a short stack of original issues of the magazine…” are respectively in the
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Pergunta 6 de 10
6. Pergunta
(FAMECA SP/2010)
Assinale a alternativa que completa as histórias em quadrinhos correta e adequadamente.
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Pergunta 7 de 10
7. Pergunta
(UECE CE/2007)
TEXT
The movement known as Modernism began in the first decade of the 20th c. and was a reaction against all aspects of Victorianism. Literary interest shifted from the external to the internal, to the psychology and.motivation of characters and their roots in deeply shared experience, influenced by the theories of Sigmund Freud and Carl Gustav Jung, and the anthropological relativism of J. G. Fraser. Joseph Conrad, D. H. Lawrence, and E. M. Foster, among others, explored mind and feeling4 in fiction still largely conventional in narrative and dialogue. Virginia Woolf and James Joyce, however, experimented with the stream of consciousness to express a character’s thoughts more directly. Poetry broke even more radically with the past, replacing5 traditional prosody with free verse and favouring6 the shorter poem with sharp, concrete imagery. The American-born T. S. Eliot became the most famous poet of the new style in England, while in Ireland W. B. Yeats started in Neo-Romantic vein but developed new verse styles for his own mythology, and Hugh Mac-Diarmaid in Scotland sought a renaissance of literary Scots in tandem with verbal experiment and socialist1 politics.
Much of the literature of the period was marked by a more colloquial and relaxed use of language. The magisterial tone and direct comment of 19th c. novelists changed into styles which allowed the reader a more open and less directed approach to the text.
Scenes and topics once banned from literature were now admitted, with hitherto taboo words appearing7 in print and a more explicit presentation of sexuality and human differences. These traits increased in the years between 1918 and 1939, with a sense of the fragmentation of society and the dispersal of shared beliefs. Aldous Huxley and Evelyn Waugh wrote of the frenetic escapism of the years after the First World War. Under the threat of a second war, writers began to urge the need for commitment and political action, writers such as the poet W. H. Auden and the novelist2 George Orwell took strong left-wing stances, whileGraham Greene expressed a radical Roman Catholic point of view. All of them sought to make their work popular, using as appropriate to their genre the language of the thriller or the rhythm of popular dance music.
After 1945, there was radical questioning8 of the47.basic savagery in human nature. William olding, Iris Murdoch, Norman Mailer, and John Fowles brought this theme into fiction. The freedom to write explicitly of sex and violence was taken further. Drama and the novel now presented the human dilemma in terms influenced by French existentialist3 philosophy. The theatre of the absurd, with Samuel Beckett and Harold Pinter, took dramatic speech away from the communicative and naturalistic to the inconsequential.
The term Postmodernism has been given to the extension of Modernism into a more radical questioning of the integrity of language and the uncertainty of all linguistic performance.
The sentence “Poetry broke even more radically with the past…” in the Past Perfect Continuous would be:
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Pergunta 8 de 10
8. Pergunta
(IFRS/2017)
01 The ideas began with what seemed to be a minor difference of opinion between John and me on 02 a matter of small importance: how much one should maintain one’s own motorcycle. It seems natural 03 and normal to me to make use of the small tool kits and instruction booklets supplied with each 04 machine, and keep it tuned and adjusted myself. John demurs. He prefers to let a competent mechanic 05 take care of these things so that they are done right. Neither viewpoint is unusual, and this minor 06 difference would never have become magnified if we didn’t spend so much time riding together and 07 sitting in country roadhouses drinking beer and talking about whatever comes to mind. What comes to 08 mind, usually, is whatever we’ve been thinking about in the half hour or forty-five minutes since we last 09 talked to each other. When it’s roads or weather or people or old memories or what’s in the newpapers, 10 the conversation just naturally builds pleasantly. But whenever the performance of the machines has been 11 on my mind and gets into the conversation, the building stops. The conversation no longer moves 12 forward. There is a silence and a break in the continuity. It is as though two old friends, a Catholic and 13 Protestant, were sitting drinking beer, enjoying life, and the subject of birth control somehow came up. 14 Big freeze-out.
15 (…)
16 When you’re talking birth control, what blocks it and freezes it out is that it’s not a matter of more 17 or fewer babies being argued. That’s just on the surface. What’s underneath is a conflict of faith, of faith 18 in empirical social planning versus faith in the authority of God as revealed by the teachings of the 19 Catholic Church. You can prove the practicality of planned parenthood till you get tired of listening to 20 yourself and it’s going to go nowhere because your antagonist isn’t buying the assumption that 21 anything socially practical is good per se. Goodness for him has other sources which he values as 22 much as or more than social practicality.
(Excerpt from Zen and the Art of Motorcycle Maintenance, By
Robert M. Pirsig. New York: Harpertorch, 1974)Considere as afirmações abaixo.
I. “began” (Ref. 01) e “didn’t spend” (Ref. 06) estão no passado simples.
II. “seems” (Ref. 02) e “prefers” (Ref. 04) estão no presente simples.
III. “would never have become” (Ref. 06) é uma estrutura usada para algo que não teria acontecido com uma condição, expressa por uma outra oração com o verbo no passado simples.
IV. “we´ve been thinking” (Ref. 08) e “has been” (Ref. 10) estão no presente perfeito contínuo.Assinale a alternativa correta.
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Pergunta 9 de 10
9. Pergunta
(UNIT SE/2016)
You Complete Me
1 If Hollywood ever makes a prequel to The Matrix, it 2 could start with the research that scientists at Duke 3 University are doing with rats. In the sci-fi movie, humans 4 were connected to a machine and to each other in one 5 enormous interlinked, well, matrix. It’s not too dissimilar 6 to what they’ve been doing at Duke. Thanks to technology 7 they’ve developed that records and transmits brain 8 signals, they’ve been able to plug rats’ brains into each 9 other so that when one learns a simple task, the other 10 does as well. They even managed to connect a rat brain 11 in Brazil to a rat brain in North Carolina. It seems the 12 rodents begin to share their identities: acting, for instance, 13 as if their whiskers were the same length when they’re 14 not. “We are creating a single central nervous system 15 made up of two rat brains,” says neurobiology professor 16 Miguel Nicolelis. Theoretically, he said, there could be 17 many more in what he called a “brain-net,” or perhaps 18 even a vast organic computer. “You can imagine that a 19 combination of brains could provide solutions that 20 individual brains cannot achieve by themselves,” says 21 Nicolelis. No mention of plugging human brains into each 22 other … yet.
DICKEY, Christopher. You Complete Me. BIG THINK, Around the
world in six ideas. By. Newsweek, Apr. 1, 2013. p. 7.Considering verb forms used in the text, it’s correct to say:
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Pergunta 10 de 10
10. Pergunta
(URCA CE/2008)
Survival of the cutest
Thousands of creatures will qietly disappear if we only focus on the most fascinating species.
The struggle to preserve the world’s biodiversity is being compromised by fatal flaws in the way conservations draw up their lists of endangered species. An australian botanist warms that the lists reflect the plants and animals that scientists are most interested in studying, rather than the most threatned species or those at risk of extinction. For instance, says Mark burgman of the University of Melbourne, lists compiled and used by organizations such as the World Conservation Union (IUCN) and the Secretariat to the CITES agreement are heavily biased toward birds, mammals and flowering plants, to the detriment of less charismatic species such as insects and fungi. If no one tackles the problem, Burgman believes we will unwittingly focus our conservation efforts in the wrong places, and fail to stop the biggest mass extinction since dinosaurs. Rare species lists contain fewer threatened insects than birds, although we know of nearly a milion insect species and fewer than 10,000 birds. That’s because most insects are poorly studied, says Burgman. For most, all that we have is a specimen in a museum and a brief formal description, he says. Generally, little or nothing is known about their habitat and abundance, and no one may have looked for them since their discovery. ―We assume all’s well because we don’t have any evidence, and we don’t have evidence because we haven’t looked‖, Burgman says. Georgina Mace, director of science athe Zoological Society of London and chair of the Species Survival Comittee, thinks Burgman has identified real problems. Yet she says that groups like the IUCN are adressing them. Starting with amphibians, it has begun assessing the global health of whole groups of related animals, species by species. Putting a species on the Red List is like assessing people coming into a hospital emergency room, she says. It’s not a robust prediction of what will happen, but it’s a quick way to pick out the sickest. But Burgman says that the criteria for assessing whether a species will go extinct vary from country to country and from study to study. He has compared a range of studies and found that different methods produce very inconsisitent results. He says conservation scientists ―need to get our act together‖ and develop a uniform set of tools that everyone can test and agree upon. Even ―extinction‖ can be hard to define, he points out. A surprising number of species have been declared extinct, only to resurface later after people had given up looking for them. (Jeff Hecht in New
Scientists, jan, 2002, p.5)
VOCABULARY :
Struggle – effort; fight Flaw – fault; error
Draw up – compose; design
Threatened – at risk, endangered
Biased – inclined; to be disposed to a certain preference
Tackle (v) – confront, attack
Unwittingly – unintentionally
Brief – short
Pick out (v) – select, choose
Range – variety
Tool – instrument
Resurface (v) – reappear
Choose the correct verb form to complete the sentence:
“____________ some trouble with the car I just rented from you – the wipers don’t work properly”.
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